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The Irony of Counterculture

Nov
26

Allow me to start this entry with an apology: I should keep this updated more often. Two-and-a-half months is far too long. Without making too many excuses, I’ve been studying hard and writing papers, and after writing 1,500 words on the Byzantine aesthetic, the final thing on my mind is writing an opinion piece for my blog. For that, I’m sorry.

Thank you for the comments on the previous entry. There are some wonderfully insightful issues that were brought up with regards to wireless power. However, time is precious, so I’ll move on.

Have you ever set foot into an art college? No? Pardon my wit, sharpening by the day, and let me paint you a picture of the culture within. The students are able to be classified in just a few distinct groups: punks, hipsters, miscellaneous hippie-type counterculture folks and normal people. The first are an established subculture that have been a core independent offshoot since the 1970s, and the penultimate group in that list is too easy to pick on. The final set of normal students is a rarity at art college, and almost all of them are typically found in the design studies and not fine arts. That leaves hipsters, arguably as easy to mock as hippie-types, but more fun in the process.

The hipster subculture was born from the roots of punk, hip-hop and indie musical followers and put in a sort of counterculture smoothie with a sprinkling of a disheveled, deliberately uncool dweeb factor. Hipsters will carry a carefully decorated notebook, rife with poetry painstakingly plucked from a thesaurus, in a canvas bag made from an old potato sack and sold at Urban Outfitters for $38.50 in a measured aesthetic of uniqueness. The hipster will point out irony like Alanis Morisette, which is the true irony they fail to see – their counterculture of individuality results in a ubiquitous landscape of bad hair and ill-fitting shirts. When presented with the reality of a song called “Isn’t It Ironic” not containing a single instance of it, Morisette went on the defensive and claimed that it was her intention all along. An obvious defense, and one which not a single person believed, yet one which your average hipster will be quick to use.

Of course, this being an art school, I must point out a design irony: the mecca of hipsterdom that is American Apparel. Yes, a store with a cult large enough to invade Spain with its vertical integration and semi-pornographic ads (which I am not offended by in any way, but that’s another blog entry for another two-and-a-half months away). American Apparel appealing to scenesters (a synonym, finally!) because it sells individuality, markets the atypical and dyes its v-neck-to-your-stomach shirts a variety of neon colours. For a store so focused on uniqueness, they have ironically, deliberately or not, selected Helvetica, the omnipresent sans-serif for their brand identity.

The word “hipster” carries with it some negative clout. It could be that it’s just a scene of ugly glasses and ’80’s clothing, or that, owing to its general mediocrity, they are the only consumers of Pabst Blue Ribbon. As such, a hipster won’t identify themselves as such. For a group who isn’t ashamed to pay $29.05 for an ironic t-shirt, the very mention of “hipster” is oddly embarrassing. Maybe it’s the way it rolls off the tongue, with a kind of venomous spitting, or the group’s aversion to labels.

After reading the last 600 words or so, you may be asking yourself why I have such a problem with them. Oddly enough, the fact of the matter is that I don’t. Why would I spend 600 words on something I plainly couldn’t give a damn about? That’s a very good question. I think I’m just trying to make an argument for how juvenile subculture can be. Of course, I don’t think society should be a simple wave of suits and overcoats. However, by creating a countermovement there is an odd phenomenon of conformity in a calculated collective counterculture of anti-conformists.

Perhaps that’s the real irony.

Addendum: I’ve posted a hipster-centric blog post prior to this. However, that was copied from (and attributed to) an anonymous Last.fm user. I chose to write a more considered piece.

November 26, 2009

The Problem With Indie Hipsters

Mar
29

I’d hate to be one of those bloggers that just re-posts what others write, but this is a damn good rant.

There has never been a form of musical elitism as contrived as that of the indie hipsters.

In the past year, Napster’s full potential was finally reached as the entire MTV generation made the transition from radio rock/rap over to the current triarchy of hipsterism: emo, indie, and hardcore. The underground has become the mainstream. Just years ago you’d get funny looks for listening to unpopular bands; these days, everyone under 25 is competing to know the most unpopular bands, and the more obscure they are, the better. Nowhere, of course, is there a shred of genuine passion for music, as the kids are as blinded by fashion as they ever were. Your average Joanna Newsom fan would undoubtedly be listening to Limp Bizkit today, if that was still were the fashionable thing to do.

We end up with a really sad situation where even though kids have the entire world of music at their fingertips, the only thing they’re looking for in their quest for new music is another band that will compliment their carefully calculated image of a young, in-the-know hipster. Never has such a mass effort been put into finding new music that you don’t even like.

As fashion wins out over music, all hipsters look for specific aesthetics in their bands. At the bottom of the hipster hierarchy reside emo and its fellow -cores. While the emotion in these genres may be contrived, -core is at least honest about its obsession with scenesterism. -Core does not claim to be anything other than self-absorbed, shallow, and fashionable.

Indie rock, however, is not nearly as honest about the confines of its genre. Indeed, perhaps because indie rock is at the top of the hipster hierarchy, indie is obsessed with proving its worldliness, and is obsessed with proving that its perceived superiority to -core is indeed justified. As such, Indie rockers are not content to be merely labeled scenesters (as -cores are happy to be); indies want to be seen music lovers first and foremost. In their strained and unconvincing to attempt to prove that they truly, really do love music, indie rockers feel the obligation to listen to genres other than indie even if they have no ear for them.

Unfortunately, however, this attempt at musical diversity suffers from an inherent flaw: having diverse taste in music is about being able to appreciate multiple aesthetics in music, and indie kids are only able to appreciate a single aesthetic – that is, the indie aesthetic, the aesthetic of fashion. This is abundantly clear in examing the indie kid’s awkwardly pathetic attempts to branch out of indie and appreciate non-indie rock; if you look closely, the indie kid’s non-indie listening is limited to meaningless subgenres of subgenres that happen to comply to the indie aesthetic.Indie kids need special ‘indified’ versions of other genres in order to render them listenable, as they simply can’t handle those same genres in their raw, pure, (and unfashionable) forms.

Indie kids can’t take trance, so they listen to electroclash. They can’t take gangster rap, so they listen to abstract hip hop. They can’t take doom metal, so they listen to drone metal. They can’t take neofolk, so they listen to freak folk. Etc etc.

In brief, the indie rocker can only explore music in the context of fashion; for supposed ‘music lovers’, indie rockers are without a doubt the most limited music fans in existence. Unfortunately, however, the sheer number of hipsters is so massive in 2007 that their influence has left its deteriorating mark on virtually every genre. As unpleasant as the situation is, in a way I feel for these kids: what must it be like to automatically reject all music with genuine passion and sincerity in favor of self-concious detachment?

Grabbed from an unknown author at this Last.fm group.

March 29, 2009